The Zurich-based brand designer, visual artist and scenographer Lavinia Rheinheimer (Name at birth: Mirsu) explores multidisciplinary approaches to art.
As a designer Lavinia Rheinheimer creates brand identities and brand key elements for international companies in the FMCG sector. Established brands such as Granini, Swiss Delice and Lindor have been given a new dynamic through her creations.
As a visual artist, Lavinia explores the relationship between time, space perception and memory. Lavinia`s work spans various media, including photography, installation and drawing. She works both independently and within various groups.
Lavinia is also recognized for her innovative and creative set designs. She has made a significant contribution to Romanian theater, particularly with her work on the 1991 production of “ Don Juan* by Molière, at the Little Theater in Bucharest. Her scenographic style often incorporates unique and imaginative elements that enhance the storytelling and visual experience of the performances. “The Chairs “ by Eugen Ionesco, Little Theater, Bucharest, and ‘The Opera of the Great Mockingjay’ by Dario Fo at the Odeon Theater, also show an innovative exploration of the relationship between space and actor.
The Zurich-based brand designer, visual artist and scenographer Lavinia Rheinheimer (Name at birth: Mirsu) explores multidisciplinary approaches to art.
As a designer Lavinia Rheinheimer creates brand identities and brand key elements for international companies in the FMCG sector. Established brands such as Granini, Swiss Delice and Lindor have been given a new dynamic through her creations.
As a visual artist, Lavinia explores the relationship between time, space perception and memory. Lavinia`s work spans various media, including photography, installation and drawing. She works both independently and within various groups.
Lavinia is also recognized for her innovative and creative set designs. She has made a significant contribution to Romanian theater, particularly with her work on the 1991 production of “ Don Juan* by Molière, at the Little Theater in Bucharest. Her scenographic style often incorporates unique and imaginative elements that enhance the storytelling and visual experience of the performances. “The Chairs “ by Eugen Ionesco, Little Theater, Bucharest, and ‘The Opera of the Great Mockingjay’ by Dario Fo at the Odeon Theater, also show an innovative exploration of the relationship between space and actor.